I actually like to choose a sound beforehand as I know that having a good sound will inspire and influence my writing decisions.
Making hooks and melody using fl studio 10 producer edition free#
This way you’ll be able to create an outline of which tone you want to set for your song much faster and easier.įeel free to write your melody before or after your sound selection phase, this is completely up to you. You can start by playing random notes until something sticks but I suggest starting with a bit of structure. Not only do chords sprout from scales but melodies and harmonies also derive from scales. There are several scales to with, Major, Minor, Chromatic, Pentatonic and more… by learning different scales you’ll be able to learn chords mush easier as chords develop from scales. When you divide your melodies into sections you’re creating movement and keeping the track flowing.Ī scale is a collection of notes that are grouped together and span an octave. In most cases, you’ll notice there is an “A” section, a “B” section and sometimes a “C” section in the melody. Now listen to the melody lines within that song.
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You’ll see that the song is divided into sections, an intro, verse, (Pre-Chorus), Chorus, Bridge, Hook and an outro. Pick a song, any song you like and follow along with the structure. Very much like song structure, your melodies should have structure too. whether a chord is major, minor, diminished or etc… Not only will intervals help with your melodies but you’ll also be able to identify scales and the quality of chords i.e. Having basic knowledge in intervals will help you tremendously when working out your melodies. Why are intervals important? Intervals provide the basic framework for mostly everything in music. A melodic interval happens when two notes are played in sequence. Where a constricted range will have limited variations in pitch and will not sound as remarkable.Īn interval is the difference in the pitch between two notes. But always keep in mind that a broad range will make a melody slightly more difficult to remember. Some melodies will occupy up to 2 octaves or more while others occupy a very small range like an octave or half. Consider how large or how small of a range you want your melody to occupy. In music the range is referred to as the distance between the lowest to the highest note of the melody. So, test out various shapes and run with what makes you feel good! It’s really all preference and what you’re going for. A melody that ascends will sound uplifting and joyful rather than a melody that descends. But be mindful that different shapes will stimulate different emotional reactions from your listeners.
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You do not have to have a melody that rises and then falls and you do not have to have a certain number of leaps and drops. This shape will outline whether your melody will descend, ascend, incline or decline. Not only does the chain of pitches and tones make a melody memorable or catchy, there are also a few elements that you should consider when writing you melody.Ī memorable melody follows a particular shape. We know that a melody is the result of various notes being played at different pitches/tones.
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They’re actually a well thought out sequence of notes with varying pitches one after another in an organized way. Melodies are not just a random combination of notes strung together. Melodies are very special in that they are distinguishable and are easy to sing or hum along to.
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Melody is defined by a sequence of single notes that is musically satisfying. First of all, lets start with the term Melody and its definition.